MUKHTASIR AL MAANI "SHARH TALKHIS AL MUFTAH"

Manuscript Description:

)MUKHTASIR AL MAANI "SHARH TALKHIS AL MUFTAH) is a manuscript classified under the science of rhetoric. It was written by Masoud bin Omar Al-Taftazani, who died in 793 AH. Omar bin Ali bin Mutasim reproduced it using the Maghribi script on the 10th of Muharram 1003 Hijiri. The number of papers: 66 paper, size: 23.5 x 17 cm, and the number of lines reached 30 lines. The manuscript begins with: (and the object is omitted, meaning. the hardships of parting with her, or as a speech to the heart, so it will remain, then..) and ends with: (each of these took place in view of the the requirements of the conditions, and that each of the fractions in relation to the bigger meaning includes the word Al-Fatihah and implies a good ending.) The commentary was written using black ink and the annotated text was written in red ink. It was incomplete at the beginning, and there are some comments in the margins, corrections, and encounters. It has an overlay, that did not affect the integrity of the text, and on the lining of the skin are separate poetic registers.

Manuscript Title:

MUKHTASIR AL MAANI "SHARH TALKHIS AL MUFTAH"

Manuscript Subject:
Other Title (subtitle):

-

The Author's full name:
date of his death:

died 793 Hijiri

Beginning of the manuscript:

and the object is omitted, meaning. the hardships of parting with her, or as a speech to the heart, so it will remain, then ..

End of the manuscript:

Each of this took place in view of the requirements of the conditions, and that each of the fractions in relation to the bigger meaning includes the word Al-Fatihah and implies a good ending.

Transcribers Name:
Date of transcription/Copy:

10 Muharram 1003AH

Century:AH:
Place of transcription (if any):

-

Font type:

Moroccan

Number of papers: Number of lines: Size: X cm

Number of papers: 66, size: 23.5 x 17 cm, number of lines: 30.

Language
The place where the manuscript is preserved:
Archiving No:

061

General Notes:

The commentary is written in black ink, and the annotated text is written in red ink. The first is incomplete, and in some margins there are comments, corrections and encounters. It has an overlay, that did not affect the integrity of the text, and on the lining of the skin are separate poetic registers.